Autobiography of joan baez youtube

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The roses. Tippett: Say a little bit about your relationship to Gabe and the reflecting and the feeling that you did about that as time went on. Baez: Yeah, a couple of things. He made it. We need to, and that takes care of it. All these heads are going like that. And then I was dealing with this stuff with my therapist, and I could forgive everybody.

Oh yes, I just want to say that about bad mothers club because we all go through it to one degree or another. It was tough because before I knew these splits in me, my behavior was dictated by unhappiness within me. Why did I do that? Well, in the end, it almost as though, well, somebody else in here had to do that to get it off our chest. Tommy did it.

Tippett: In the documentary, he speaks with great compassion, though, about that and about —. Baez: Gosh, yeah. I just am so grateful for the way he dealt with the questions and the kindness. He has all the kindness and compassion that I may not have like that. I had to work on it. Here is thunder and flying mist, craggy granite beds of tiny wildflowers and mother of pearl tears glistening down the fierce cheeks of red clay ghosts.

And as I watched him prayerfully, he spread his arms, reached for the shaft of sunlight, then looked down and smiled at me the smile of a thousand suns. And I am neither witch, nor nun, nor heron white, nor blue nor brown, I am the Mom, the only one: the mother of my only son. She has all the genes that my son and I both missed. Baez: Well, first of all, she has the bubbling, cheerful, expressing joy that neither Gabe nor I have.

She has it all. It is what you do. Baez: China dropped bombs for peace. I think we want it to. Tippett: A lot of bird imagery. I do want to circle back to your reference a while ago about this backdrop, this underpinning of our time, or our consciousness, our planet, of the planet itself being in such distress. It seems to me that, of course, birds are a part of the natural world who sing.

They seem emblematic for you of an emotional connection to the ecological crisis.

Autobiography of joan baez youtube

And then a number of years ago, I went home. And then more recently, there is nothing. What do I do to be able to bear it? I try to — we have lots of birds on the property because we also have rats and mice because I insist on filling the bird feeders. I try to listen to a bird sing, and appreciate the beauty of the song, and not wait for the chorus.

We used to sleep. We had two decks, and I used to always sleep outside. I still do as much as I can. But so, I was on the deck. Only cheeps and peeps, chirps, squawks, and eeps. Tippett: Thank autobiography of joan baez youtube. I wanted to just touch down before we close also on this matter of living for a while in a body, which is also called aging.

Tippett: I think that that ability to just find that kind of peace, and to be still enough to commune with a tree, is also something that gets easier as we get older. Baez: Yeah, we accept our own looniness better as we get older. But aging is a tricky business. What do I do? Chase down your own health, I think. And a quality of that, I have found, is — I think that our culture, we have this desire to resolve and fix and perfect.

I feel like you embody that, too. I was hurt. Baez: Well, it was an interesting one. They all went to different places. He was just this guy, this magical guy. Some people wanted to go to the bottom of the ocean. Some wanted to remain with other people from in there. So Yasha, whom I knew as a year-old, is now 19 or So it happens.

They grow up. Baez: I love that poem. I almost memorized it once, but not quite enough to — okay. Come on, ladies! Tippett: So I know that this is a short list. You could make a much longer list, and a more intimate list. Wade in the water, Wade in the water, children. Tippett: Thank you so much for that. When I came up for air from my flailing, I began to see shards of color.

I should not have been shocked to find that a diamond was in fact the core of me. I discovered that sorrow is an ocean, fury is blue, pain is my companion, but love had not been smashed to bits so badly as to not be mendable, like a gypsy violin crushed beneath a Nazi boot. Tippett: Joan Baez has released more than 30 albums across the last 60 years.

We are located on Dakota land. Our closing music was composed by Gautam Srikishan. And the last voice that you hear singing at the end of our show is Cameron Kinghorn. The Hearthland Foundation. Helping to build a more just, equitable and connected America—one creative act at a time. Find them at fetzer. Kalliopeia Foundation, Dedicated to cultivating the connections between ecology, culture, and spirituality.

Supporting initiatives and organizations that uphold sacred relationships with the living Earth. Learn more at kalliopeia-dot-org. The On Being Project is an affiliate partner of Bookshop. Any earnings we receive through these affiliate partnerships go into directly supporting The On Being Project. A love of visionary science fiction also finds a robust place in her work and this conversation.

She altogether shines a light on an emerging ecosystem in our world over and against the drumbeat of what is fractured and breaking — the cultivation of old and new ways of seeing, towards a transformative wholeness of living. New Here? New to On Being? Start Here.