Dizzy gillespie biography

In other projects. Wikimedia Commons Wikidata item. Dizzy Gillespie. References [ change change source ]. Archived from Dizzy Gillespie website UR the original on Retrieved Real name, John Birks Gillespie; born October 21,to james a bricklayer and musician and Lottie Gillespie; youngest of nine children; raised in Cheraw, SC; married Lorraine Willis a dancer Education: Attended Laurinburg Institute.

Addresses: Home — Camden, NJ. Eldridge was in a direct line from Louis Armstrongand he was the voice of that era, the thirties. So I was looking at Louis Armstrong, you see, because they are one and the same. Gillespie played with bands in Philadelphia from to before moving to New York. It was then that Gillespie earned his nickname for his erratic and mischievous behavior.

He had taught himself piano and used the instrument to experiment with new melodies and chord changes. When he went to New York in he did not have a specific job but was introduced to other musicians by Shavers. Gillespie joined the Cab Calloway Orchestra in and stayed until In this session Gillespie became the first musician to record in the modern jazz style with a small group.

Gillespie left Calloway in following a misunderstanding. During a performance someone from the vicinity of the trumpet section was having fun aiming spitballs at the bandleader, who was singing in front of the band at the time. Naturally Calloway assumed Gillespie was responsible. By most accounts, however, Gillespie was completely innocent and had been set up.

Words led to action; Gillespie pulled a knife on Calloway and actually cut him a few times. While the two later reconciled and remained friends, Gillespie was forced to leave the band. Although Parker became famous as an alto saxophonist, he was playing tenor sax at that time. The two of them jammed together at the Booker T. Washington Hotel for several hours.

He wrote bebop arrangements, as most bandleaders at that time were interested in having one or two bebop numbers in their repertoires. Several musicians have commented that even if Gillespie had not been able to play the trumpet, he could have made a name for himself on the basis of his original compositions and arrangements. A dizzy gillespie biography part of the Earl Hines band departed in to form a new group headed by Billy Eckstine.

The band also featured saxophonists Gene Ammons and Dexter Gordon. Gillespie became musical director for Eckstine, whose backers got him a job on 52nd Street. Gillespie stayed with Eckstine for about seven months, touring and playing on 52nd Street. This was the top talent street, and it was, of course, discoverer of a lot of the new people for that era.

After leaving Eckstine, Gillespie substituted in the Duke Ellington Orchestra for about four weeks, then formed his own group to play at the newly opened Onyx Club on 52nd Street. Gillespie had been playing bebop whenever he could sincethe year he married Lorraine Willis. Now he was able to play it full time. Gillespie had tried to get Parker to join, but he had temporarily returned to Kansas City.

That year Gillespie received the New Star Award from Esquire magazine, the first of many awards he would receive in his career. Rhythm and phrasing, however, were also important to the new jazz style. We had a special way of phrasing. Not only did we change harmonic structure, but we also changed rhythmic structure. This was the West Coast debut of bebop and it was very well received.

And the press picked it up and started calling it bebop. The first time the term bebop appeared in print was while we played at the Onyx Club. Though the enterprise was short-lived, Gillespie had his own record label, Dee Gee Records, from He appeared at the dizzy gillespie biography first Newport Jazz Festival in And he later played the role of unofficial ambassador of jazz, beginning with a world tour sponsored by the U.

State Department. These are just a few of the many accomplishments highlighting the career of this remarkably accomplished titan of contemporary American music. Concert in ParisRoost, Dizzy in GreeceVerve, Enduring Magic, Black Hawk Cite this article Pick a style below, and copy the text for your bibliography. Bianco, David " Gillespie, Dizzy —.

Bianco, David "Gillespie, Dizzy —. January 8, Retrieved January 08, from Encyclopedia. Then, copy and paste the text into your bibliography or works cited list. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia. Influenced by Roy Eldridge and Louis Armstrong.

In he led and wrote the arrangements for a group that included bassist John Lee, guitarist Ed Cherry, drummer Ignacio Berroa, conga drummer Paul Hawkins, and saxophonist Ron Hollo-way. I hardly ever listened to Louis, but was always aware of. Addresses: Home — - Camden, NJ. When he went to New York in he did not have a specific job, but was introduced to other musicians by Shavers.

Jazz from Paris, Verve, Bianco, David " Gillespie, Dizzy. Bianco, David "Gillespie, Dizzy. Fifty years after helping found a new style of progressive jazz that came to be known as bebop, Dizzy Gillespie's music is still a major contributing factor to the development of modern jazz. Dizzy Gillespie, known for his "swollen" cheeks and signature uniquely angled trumpet's bell, got his start in the mids by working in prominent swing bands, including those of Benny Carter and Charlie Barnet.

He later created his own band and developed his own signature style, known as "bebop," and worked with musical greats like Cab Calloway, Ella FitzgeraldEarl Hines, Charlie Parker and Duke Ellington. He would go on to become one of the most recognizable faces of jazz music, with his "swollen" cheeks and signature trumpet's bell, as well as one of the most influential figures of jazz and bebop.

When he was 18 years old, Gillespie moved with his family to Philadelphia, Pennsylvania. Gillespie went on to join Calloway's band inwith whom he recorded "Pickin' the Cabbage"—one of Gillespie's first compositions and regarded by some in the jazz world as his first attempt to bring a Latin influence into his work. From toGillespie performed with prominent swing bands, including those of Benny Carter and Charlie Barnet.

Working as a bandleader, often with Parker on saxophone, Gillespie developed the musical genre known as "bebop"—a reaction to swing, distinct for dissonant harmonies and polyrhythms. July 3, Afro-Cuban Jazz. San Francisco: Miller Freeman. Shows builds a bridge to Cuba". Los Angeles Times. Retrieved October 1, Boston Globe. Archived from the original on December 11, Retrieved October 21, All About Jazz.

Retrieved July 10, Archived from the original on July 20, March 23, March 24, February 26, Retrieved February 1, Minneapolis: University of Minnesota Press. Philadelphia: Temple University Press. January 8, Retrieved October 10, The Observer. Observer Review: Archived from the original on September 6, Retrieved January 29, July 22, September 23, To Be, Or Not-- to Bop.

University of Minnesota Press. October 6, Archived from the original on December 28, New York City Baha'i Center. Archived from the original on January 12, Retrieved February 7, Archived from the original on April 17, Archived from the original on October 21, Retrieved June 30, The Boston Globe. June 17, New York Post. March 28, The Rough Guide to Jazz.

New York: Random House. Retrieved September 8, The Morning Call. Lehigh Valley, Pennsylvania. Deseret News. April 26, Archived from the original on September 21, New York Magazine. Archived from the original on October 29, Retrieved April 15, American Academy of Achievement. Polar Music Prize. April 5, Archived from the original on September 24, Retrieved October 31, July 31, Encyclopedia of Motion Picture Sound.

Retrieved January 22, External links [ edit ].

Dizzy gillespie biography

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