Michele val jean biography channel
I thank you for every single one and now I have to get to work! At press time, several questions remain unanswered, including whether it will be a half-hour or one-hour series, where the show will be taped, when it will premiere i. Considering the show was just announced as being in development, this is no surprise. Stay tuned to Soap Opera Network for all the latest news and updates!
You know what? Michele Val Jean b. Val Jean began her career as a writer in the first African-American daytime soap opera, Generations in The series was canceled in In she worked on the prime time series, Jake and the Fatman. In she joined General Hospital. In she was promoted, alongside Elizabeth Korteto the post of head writermaking her the first African American in the history of daytime television serials to hold the post.
The left the soap in early She will serve as a writer, showrunner and executive producer. Beyond the Gates. The Bold and the Beautiful. Join the conversation on our SC boards! Click here to connect with fans and dive into discussions now. Val Jean's television writing career didn't start with soaps. She worked on the primetime series Jake and the Fatman in the s before making the move to daytime.
Her credits include the aforementioned Generationsas well as Santa Barbara. Inwhen Val Jean was named head writer of General Hospital, it marked the first time in history that a daytime drama series had an African American head writer.
Michele val jean biography channel
During her impressive run with General Hospital, Val Jean earned four Daytime Emmys -- in,and She received six additional Emmy nominations. Val Jean has yet to comment publicly on her future plans. It only seems logical that Val Jean might rejoin the GH writing team, as she will always be remembered as the person who wrote the classic "Clink-Boom" episode in which Brenda clinked champagne glasses with Jax after they married just as Sonny watched a car blow up with his pregnant wife Lily inside.
The character is named after Val Jean's father, Sidney. Outlines were written and they would go to scriptor writers and that's how the show got written. Executive producers are responsible for getting the vision to screen and the mechanics of managing a large company of people. Once the week was in outline, we'd go over whatever concerns Paul Rauch had production-wise and I'd incorporate those changes into the edited scripts.
How did these changes influence your work as a writer? What were the differences between all of them? I never worked with Conboy. Paul Rauch was there when I came in co-executing with the Dobsons. Once they left, he did it himself. There are a lot of differing opinions on Paul, but I must say - he was always only encouraging and supportive of me.
He kept me on as editor, for which I'll always be grateful. And my writing style has been more influenced by learning from other writers. When you arrived into prepare the fans to Marcy Walker's departure, Eden started to suffer from split personality before leaving town. Do you remember how this storyline was initiated? Did you fear it wouldn't work on-screen?
Our actors could make anything work and Santa Barbara did quite a few outrageous things in its time! Ina new family was written : the Walkers. Jodie, Reese, B. Is it a feeling you had then? Honestly, I was pretty new to the genre and my job was to realize the headwriter's vision. At that time it was Pam Long.