Pauline oliverios biography

An early champion of synthesizers, Oliveros could also be playful, at one point using her bathtub as a reverb unit. Because having a particular routine or ritual sometimes leads to not hearing something else. Oh, how we need that now! Oliveros took up the accordion when she was 9, followed by the French horn and tuba. She studied music at the University of Houston.

Variation: translate voice to an instrument. Innoting a growing conservatism among her students, Oliveros left UCSD and moved to New York City and from there to upstate New York, where in she founded the Pauline Oliveros Foundation, an incubator for new and innovative musical works. She also continued to perfect her Expanded Instrument System EISa complex electronic processing system that allows musicians to imbue their instruments with a variety of time- and sound-related effects.

Pauline oliverios biography

Inalong with trombonist Dempster and singer Panaiotis, Oliveros performed in the "cistern chapel" near Seattle. A buried, two-million-gallon water tank, the chapel was a unique sound environment for the trombone, didgeridoo, accor dion, conch shells, and metal scraps that the musicians played. The performance launched an ongoing exploration of alternative sound environments for the group, which eventually became the Deep Listening Band.

Additional performance sites have included a ceramic silo, a power plant cooling tower and Tarpaper Cave in Rosendale, New York, where Troglodyte's Delight was recorded. The group returned to the cistern chapel in to record the Ready Made Boomera ng. Oliveros has continued to perfect and promote her Deep Listening concept through annual retreats in New Mexico and classes at Mills College where she returned to teaching inoften via video relay from New Yorkand at Rensselaer Polytechnic Institute in Troy, New York, as well.

On her Deep Listening website, Oliveros describes the concept: "Listening is noticing and directing attention and interpreting what is heard. Deep Listening is exploring the relationship among any and all sounds. Hearing is passive. We can hear without listening. Carole Ione Lewis Oliveros right playing in Mexico City in Pauline Oliveros May 30, — November 24, [2] was an American composeraccordionist and a central figure in the development of post-war experimental and electronic music.

She was a founding member of the San Francisco Tape Music Center in the s, and served as its director. Oliveros authored books, formulated new music theories, and investigated new ways to focus attention on music including her concepts of "deep listening" [3] and "sonic awareness", drawing on metaphors from cybernetics. Early life and education [ edit ] Oliveros was born in Houston, Texas in While there, she met Terry Riley and Loren Rushpauline oliverios biography whom she formed a short-lived improvisation trio inthe year in which she graduated with a degree in composition.

Inshe attended the premiere of In C by Terry Rileya seminal work of musical minimalism. Inshe experienced a kind of epiphany when she found that her tape recorder was able to pick up sounds that she herself could not perceive. This led her to focus her energy on listening, as attentively as possible, to the sounds that surrounded her. The following year, she worked alongside Ramon Sender and Morton Subotnick with additional input from Robert Erickson on the creation of an electroacoustic music studio at the University of San Francisco.

Incompositions by the three composers combining improvisations and pre-recorded sounds were presented in a concert titled "Sonics.